However long the necessary time for you to write a novel or
story, and by whatever means you use to get the writing down in some form,
these times have nudged and bumped you out of reality as a communal sense and
thrust you headlong into your own equivalent of Joseph Campbell’s hero’s
journey.
Within the reality of communal reach, you have hunkered over
tables in dank rooms, intent on causing precise geometric action between
striped balls and solid ones; you have fancied yourself in differing states of
romantic connection with a wide spectrum of womankind; you have sat in crowded
lecture halls, trying to relate the professor’s version of a particular poem or
story or novel with your own; you have tried to follow the narrow-but
entrancing thematic pathway illuminated by sundry jazz and blues musicians
through the smoky and beer-laden haze of small rooms; and you have felt
yourself spin precipitously if you dared close your eyes, which was the thing
you most needed to do in order to sleep your way beyond the chaos and uproar
you’d drunk yourself into as a consequence of the persistent reminders that you
did not know who or where you were in relation to yourself, to the literature
you’d studied, the geometric and physical reactions you’d tried to understand
on pool tables, and least of all to the community of which you’d presumed
yourself to be a part.
Your equivalent of the hero’s journey, your personal
bildungsroman, has emerged to be your attempt to write your way into the forces
and systems through which you travel with a goal of emerging as less a travel
writer and more of a veteran, returning home after a distracting series of
adventures which would on contemplation and decoding, render you at the least
sufficient company for yourself.
To be sure, there would be—will be—additional adventures,
times when, once again, you will leave the clangorous din of the community,
entering frontiers you’d not dreamed to exist, sent by your curiosity as Lewis
and Clark were sent by President Jefferson to chart a place, a construct, that
did not in fact exist, nevertheless bringing back records of things of some
insightful nature.
You are not a great one for bringing souvenirs as such from
your outer travels, rather memories of how a place felt, what it was like to
talk to someone at a particular “there” you’d visited either from abject
curiosity or a desire to be distracted from where you were or were not,
relative to where you’d traveled from.
Nor do you tend to have many tangible mementos from your
inner travels, wherein you built edifices of words and paragraphs, tried with
varying degrees of success to bring individuals to life in ways not unlike Dr.
Frankenstein’s attempts to create life.
You have the printed results, of course, but they have a tendency when
held up to the light to lumber about, much as Dr. Frankenstein’s creation did,
seeking in ways that remind you of the ways you sought and persist in trying to
access.
Many of the writers you admire have produced considerable
bodies of work, among which one or two are brilliant reflections while the
others must be content to shine.
Not all stars are of the same brightness, but taken together, they cast
an encouraging light.
The simple act of finding an inner terrain to travel is no
assurance you will find significant artifacts there to discover. Interior error is as much a possibility
as error in the communal, outer world. The danger always exists that, having
secured the funds and equipment for a trip to the interior, you will return
empty handed or with a sack full of tourist gewgaws, made in some other
interior landscape where the labor costs are cheaper.
Thus is the heroic label taken from your journey, the
romantic from your deed, the error-free aura from your performance, all of
which is as it should be, inner and outer. Nevertheless.
Nevertheless, you pack for the next trip with a clean shirt,
your nails at least given a fresh trim, your cheeks and chin shaved, in case
you should meet La Belle Dame Sans Merci, whom, you have it on good authority,
might well be in the neighborhood.
1 comment:
I'm sure you have many stories to share, my friend. I always get the sense that you are one of those people that always knows something the rest of us do not, and that you derive a certain sense of mischief and humor out of our ignorance, waiting for one of us to be smart enough just to ask the right question.
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